nickzdon.com

Goodbye Blue Monday!

At the car wash

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Click for larger versions

Boy, I love me some good ‘bad’ design. I think it’s a lot more interesting than the stuff that wins awards. I found these outside my apartment this morning. I became mesmerized and just had to share them with you. I’m not even sure if I could ever design anything like this. I think I’d have to try really hard to get it ‘right.’ But, frankly, I’ve become bored with value judgments in regards to design. There are those that say that good design only needs to communicate a message effectively, while the other camp says that there is also a lot at stake with regards to aesthetics. That visual pollution and ‘bad’ design is just as harmful as misscommunication. Little headway has been made in establishing either of these vantage points beyond the anecdotal, because both sides are equally ‘good’ and ‘right.’ I’m beginning to see the designed world (which is what I call the totality of anything which has been made by or influenced by people through a decision making process) as the reflection of ourselves. It’s as difficult for me to call a design ‘bad’ as it is for me to call a person or culture ‘bad.’ Maybe this is the curse of seeing things in black and white, but I do believe that it’s time to quit arguing over this nickel and dime good-and-bad design bullshit and start seeing beyond the horizon of the printed page, the computer screen and the poster. It’s time to start seeing the larger picture. We need to see it all. Collectively. Everything that we produce, because in these things we can see the decisions we are making, showing us how we really think.

Typically we have to wait a few decades, and gain the asset of hindsight, before we can look collectively look at a period of time and relate it to how a group of people thought. I believe we can do that now for our period in time, and that we must. We must look at what it is that we are creating and influencing and see who it is that we are at this instant. The speed of our lives has increased dramatically, we can no longer afford to wait to look back and see who we were, but must see who we are now, and look at how we will create the future.

Filed under: Stuff I've Found , , , , ,

Open Project Proposals

I’m working on pulling together a number of ideas for interesting projects I’ve been wanting to do for some time, but have not had the time, money, expertise, etc. So I’m opening it up to you dear reader. I’ll be posting briefs for each project here on nickzdon.com. If you’d like to contribute, be it time or money or insight, please respond (contact info to come). Shared ownership and recognition for the project is required by both parties. The projects range from small screen printing and poster installations, to mobile device specific websites. So if you’re interested keep your eyes and ears open, I’ll be posting the briefs one at a time soon. I’ll also be sending updates via Twitter http://twitter.com/nickzdon

Filed under: Work I've Done

Thoughts on Twitter – #WildlifeWednesday and BlipTube

I’ve got to admit it took me a little while to warm up to Twitter. I actually deleted my account not long after I created it because I wasn’t ‘tweeting’ and saw it as just one more thing to keep track of along with Facebook and the rest of my bloggerly reading. But at the insistence of a few good friends I reinstated my account. (Twitter actually restarted my account as if I had never left. Same followers. Same tweets. Same everything. So when you go to delete your account and Twitter tells you that you ‘can’t undo’ it, don’t believe them. It’s a little spooky.)

As I started to grasp the nature of Twitter a few things became clear to me. One: Twitter succeeds because humans are pattern-seeking creatures. Two: the signal to noise ratio is very high. This is why ‘Trending Topics’ and hashtags work the way they do. People like to organize their thoughts and make them presentable to the people who want to see them. It makes your tweets (I hate that word by the way, but I can’t think of one that works better in this context) more valuable by making them easier to find. In Twitter’s very structured, very open platform, it’s very easy for voices to be lost in the crowd. This was one of my initial reasons for deleting my account. The signal to noise ratio was just too high. In this respect hashtags are absolutely necessary. And I’ve come to embrace them (to a certain extent)

#WildlifeWednesday

Some friends and I have started our own hashtag hoping to see it one day in the Trending Topics column. In hopes of capitalizing on the human need for pattern and rhythm we’ve decided on a theme: anything animal related (videos, news articles, songs, funny pictures) along with a specific time for these tweets: Wednesdays. This is the same principle as #FollowFriday and #MusicMonday.

#WildlifeWednesday started slowly with just myself and my friend SheenaLara, but has grown to a good number of individuals, although Sheena and myself are still the top contributors. If the history of internet trends is any indication, I predict that as it continues to grow it will eventually reach a phase transition (Malcom Gladwell would say it would ‘tip’ ala “The Tipping Point”) This phase transition will be marked by a rapid rise in the number of people using the #WildlifeWednesday hastag making it appear in the Trending Topics column on every users homepage. Both Sheena and myself have been watching for it, and with the ability to browse old tweets we should be able to tell with some degree of precision how long and how many people and/or tweets are necessary for its phase transition.

In a purely scientific study my writing about #WildlifeWednesday here would skew the results, but the internet is anything but purely scientific, and one could assume that any number of individuals could (or already are) blogging about it. It’s out of our control completely so my addition here is really of no consequence.

BlipTube

My second experiment into the use of the Twitter platform is a combination of the online DJ site Blip.fm and the video sharing site YouTube. This mash up of independent audio and video sources I call BlipTube. Blip.fm allows users to search and choose music tracks and share them via Twitter by creating text links that link back to the Blip.fm site and automatically play the selected track. BlipTube simply pairs this method of sharing music with links to YouTube videos in the same tweet. The user clicks both links (the Blip link first, YouTube second) and both the musical track from Blip.fm and the video from YouTube load and play simultaneously. This allows me to essentially make my own music videos, although that descriptor is very limiting. The shear number of Blip tracks and YouTube videos allows endless curatorial possibilities. My favorite BlipTube combines Wagner’s ‘Ride of the Valkyries’ with a slow motion video of two pomeranians play-fighting. Unfortunately I didn’t tag or even use the term BlipTube in this instance so the only way to find it is by raking through my old tweets (hint: it was tagged with #WildlifeWednesday, so it might be easier to find it that way.) Newer BlipTubes can be found by searching for the term ‘BlipTube’ in Twitter.

The great thing about BlipTube is that it doesn’t live anywhere. It’s not a website or application, it’s just two links in one tweet. Two independent sites providing two pieces of content that have no relationship to one another. If BlipTube ‘lives’ anywhere it’s in the heads of the creator and the end user. Both must draw the line that connects them. That line is an emotion or thought that comes from the viewing of both pieces of content at the same time.

So much of our use of the internet is dependent on the interrelatedness of content. Google searches content based on its relationship to a search entry. Hashtags were created to group related content within the Twitter platform. All of these things make our lives easier, but the curatorial aspect of BlipTube cannot exist without human beings to connect the dots in their heads. Surely an application could be created that would pair music and videos based on user reccommendations, length, or any predetermined set of criteria, but the surprise factor would be lost or greatly diminished. The magic would be gone. Take Pandora for instance. Pandora is an online application that plays music based on user set criteria. The hope is that Pandora will also play music that wasn’t specified, but is related enough to the criteria that the user will enjoy it. The user can then tell to Pandora to ‘play more music like this’ or ‘play less music like this’ and Pandora will act accordingly. Unfortunately the more information you give Pandora the less options fit the criteria, so you get more of the same type of music. Your musical selections are narrowed as opposed to broadened. I remember having to jack all my settings every once in a while on Pandora to things like ‘Gangsta Rap’ or ‘World’ just to get things mixed up. I eventually quit using Pandora all together because of this reason. Apples new Genius Mixes in iTunes 9 are similar but they only group the music on your computer and do not generate or play suggestions. I’m not even sure how Genius Mixes are grouped and created, although I suspect that it pulls information from the iTunes store and uses the same functionality as the ‘Users also bought’ feature.

These functionality issues are systemic of a larger idea; that being that humans are smarter than computers! Computers have difficulty making cross-canonical connections that are not specified within a set of criteria. In fact they cannot do so WITHOUT a set of criteria. Granted, the criteria has gotten really good. Application generated recommendations for music, movies, and clothing are very useful, but they serve only to narrow options, not broaden them. It is the surprise and creativity in making broad cross-canonical connections that gives us things such as humor and art. The burning question should not be whether a thousand monkeys sitting at a thousand typewriters for a thousand years would reproduce the complete works of William Shakespeare, but rather, would those monkeys have created it if there had been no William Shakespeare in the first place.

Filed under: Work I've Done , , , , ,

Calligraphy #5

Been a little while since I posted some calligraphy, and honestly I haven’t been doing a whole lot lately. But last night I did some ink work for a freelance project I’m working on. I scanned it today and scanned this piece as well. Went back to basics on the strokes. This stroke will be used for ‘a’, ‘c’, ‘d’, and some others too. Remember when I said I hoped I wasn’t learning in a way that would require me to relearn what I’d already did? Well I was. I’m just glad I caught it on my 3rd character and not later. It seems that consistency is one of the keys to calligraphy. Multiple characters of similar strokes should look, well, similar. I’m thinking that the best way to achieve this is to practice the basic strokes first and then assemble them into characters as I go along. This maybe old info to those who have studied calligraphy, but I’m doing this on my own as a bit of an experiment. Part of any good experiment is learning from past mistakes.

Click for hi res.

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WASTED?

Check out the app I designed at HK. It’s a drinking game where you try not to spill the drink on your iPhone. The idea is that the more you drink the tougher it gets to ‘hold your liquor’ as it were. Buy it wastedyet.com. If we sell enough I might get a bonus. The great team at Sevnthsin did the development.

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Calligraphy #4

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White ink is so nice.

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My desk and work area.

Filed under: Work I've Done

Calligraphy #3

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So I spent most of last night with ‘B.’ We had a good time. After I fill up a whole sheet or four of small letters, which I use a C-2 nib for, I do some larger specimens with the 1/2 inch Coit folded nib just for a little fun. While the strokes and the technique are similar for both the large and the small letters, it’s a whole other ball of wax. First of all, the Coit nibs only hold enough ink for a single stroke. The smaller C-2 nib can hold enough ink for 3-4 whole letters. I think this is some diminishing returns equation, I don’t know. But it requires you to slow down and think of which strokes you’re going to execute in which order. The larger nibs also require more forearm and shoulder movement rather than just finger and wrist.

These pieces are one page of Capital B practice, and a couple of my favorite large Bs. I probably should have used some line rules for the smaller Bs, next time.

If 13 is an unlucky number then so should the letter “B” be. Because it looks like a scrunched together 13.

“Hi, what’s your name?”

“Bob.”

“Get the fuck away!”

– Mitch Hedberg

Filed under: Work I've Done

Calligraphy #2

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I’m pretty sure I’m learning this all wrong. I’m looking at books as reference, but otherwise I’m just doing what feels natural and what looks right. I know I’m blending styles and techniques. I know my method is less than methodic. But I know I’m enjoying it. I hope I don’t have to relearn a bunch of stuff later on to correct myself. Hopefully I’ll do the important learning along the way. For now I’m happy just looking into how the ink sits on the paper and the variation available in the ‘stroke.’

You can see in this piece I started playing around with white ink. White ink is strange in that at first it appears very light, and darkens as it dries. I did a few practice pieces on kraft and the white ink was all but invisible when it first went down, but dried out nice and opaque. The Speedball Superblack is still my favorite. The finish on it when it dries is quite nice. I had bought a couple felt tip calligraphy pens along with the ink pens, but I don’t like them so much. It’s basically a flat Sharpie. It’s the way the ink interacts with the paper (and itself, which might sound weird but it’s true) that I find so cool, and you can’t get it with a felt tip.

Filed under: Work I've Done

Calligraphy #1

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When I was 21 I traveled to Germany to study at an art and design school in the town of Hildesheim. This particular school offered calligraphy courses with master calligrapher Herr Pott. I cannot stress how big of a deal this guy is in the world of calligraphy. I attended his class for only 4 days. In my infinte 21-year-old wisdom I decided that I’d rather go to the bar than draw the ‘R’ for an hour and half. So I stopped going.

Fast forward to the present day.

My interest in calligraphy has grown to a point now that I really want to learn it, and I’m kicking myself for not sticking with Herr Pott’s class. Such is life. Last weekend I picked up some pretty cool Coit pens and a Speedball calligraphy starter kit. Now the prospect of sitting and drawing the letter ‘R’ for an hour and half sounds awesome. But, I’m starting with something easy, ‘a.’

It seems that the thing that’s toughest to learn about calligraphy is the perfect balance between concentration and instinct. One the one hand you really need to pay attention to where you’re putting the pen and how to form your strokes, but if you concentrate too hard the forms and strokes look stilted, unnatural, even ugly. Conversely, the ability to listen to the pen and your hand and what they want to do together is important but it you don’t pay attention they’ll run all over the page ruining what it is you’re working on. And it’s really easy to ruin what you’re working on. Practice makes perfect and I’m really trying to get myself to understand that I’m going to have to go through a lot of paper, a lot of ink, a lot of nibs, and a lot of time before I get ‘good.’ I found a great story about this at Caligraffiti. It goes like this:

THE KING AND THE CALLIGRAPHER

A story is told of a King who summoned the nation’s best living Calligrapher and demanded of him that he make a drawing to symbolize the Kingdom. The Calligrapher reassured his lord as to his loyalty and left to undertake his task.

Days passed; then weeks. The King sent a messenger to the Calligrapher’s remotely located studio to find out what was happening. The messenger returned with the report that the drawing was not ready. Months came and departed. Every envoy to the Calligrapher was curtly dismissed with the same information; that the drawing was not yet complete.

After years had passed, the King could contain his impatience no longer and stormed off to the Calligrapher’s studio himself. The Calligrapher is sitting there, quietly and evidently quite at ease. The King is furious, ‘Where is my drawing?’ he shouts. At this the Calligrapher bows silently, pulls a large sheet of paper towards him, sets a variety of jars before him, picks up a brush and, within two minutes, has executed the most wonderfully sinuous design to represent the Kingdom.

The King can scarcely control his rage, ‘If it is so easy, why have I had to wait so long?’. Still maintaining his silence the Calligrapher goes to the back of his studio where there is a large alcove with doors reaching from the floor to the ceiling. He opens the doors and out onto the floor pour thousands of study drawings.

The practice pieces above are about an 1/8 of what I worked on last night. The top piece is done with a Speedball C3 pen. The larger ‘a’s are done with a Coit 1/2” folded brass nib. Click for hi res.

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Walsh Bishop Website

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Walsh Bishop is a mid-sized architectural firm in Minneapolis, Minnesota. Their site launched a little over a year ago. I worked on it with a great team at Larsen Design, but left to take a position at HK before it went live. This site was the result of a great, close working relationship with the client. I designed the site as well as put together a lengthy research document which included competitor’s sites, audience demographics, various users paths, and a ‘connectivity’ section about the company blog. Looking back on it, even though that research is only 2 years old (and still applicable), the web was in a pretty different place back then. ‘Connectivity’ would now be called ‘Social Media’ and I’m sure it would have been a mandatory part of the project, rather than something that was fresh, new, and a little scary for the client.

With that said, Walsh Bishop has done a great job of keeping the site current. They’ve added new projects, a whole new Housing portfolio section, and kept the blog up to date. The entire site was built on the WordPress platform so that most of these updates they’ve been able to implement themselves.

One of the largest challenges was the fact that the company was going through a rebranding at the same time. The site was scheduled to launch before the new identity did, so they did not want to use their logo on the site. The solution came by integrating the name seamlessly into the primary navigation. It functioned as the link back to the homepage making it not a logo and more a piece of functionality.

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